The language of Okoumba-Nkoghé poses as a backdrop a hermeneutics of the anthropological experience centered on the sensitive dimensions narratively transformed into systems of signs. The transition from literary language to semiotic language involves the resuscitation of a subject-object relationship. It is also the manifestation of the world perceived by a subject who tries with each narrative action to reorganize the signifying order, stratified with different codes, indices and circles of back production of the sign. Language is then almost always in relation with a semiotic network of traces that we have tried to animate by interpretation. On the logic supposed to manifest the link between semiotic language, it is possible to advance that the textual or literary manipulation of the sign is difficult to conceive of outside the semiotic universe, immanent in all anthropology. Almost immediately, language is produced in a rupture between the signifier and the signified, the plane of expression and the plane of substance which then become reconcilable and co-participative. This has the consequence of reducing the principle of contextuality to that of textuality. Because literary texts are organized around complex semiotic performances: signs, isotopies and backgrounds of cultural meanings. This language is also that of the transmission of aesthetic, cultural and axiological values. Restored in all its semiotic necessity, the Gabonese literary language, more exactly, that of Okoumba-Nkoghé, becomes the mass of sign relationships established with a view to making possible meanings manifest.